Month: October 2016

Three albums to add to your library right now

Dustin Tebbutt – First Light

Vance Joy fans rejoice – for those of us who have outgrown Riptide and its fellows, Tebbutt’s latest release offers a perfect (dare I say, more grown-up) alternative. At once chilled out and uplifting, the gentle mix of acoustic guitar, light percussion and occasional layer of electronica, support Tebbutt’s floating vocal deliveries. Cue lazy Sunday morning.

Lakuta – Brothers and Sisters

If Western club music has you wanting a little more, look no further than the global sounds of Lakuta. Including musicians from Africa, Spain and the UK, this group combines the very best of danceable soul, disco and funk with socio-political statements, sensual Latin vibes and infectious Afro-beat rhythms.

Leonard Cohen – You Want It Darker

I don’t remember being this awestruck by musical charisma since I first heard Tom Waits’ Rain Dogs in my early uni days – Cohen’s latest album is absolutely bloody mesmerising. Skeletal accompaniments and gospel choirs take a backseat to musings that have been 82 years in the making. “I’m ready, Lord” growls Cohen, to which your ears will reply “Take me, take me now”.

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Michael Buble: Nobody But Me (Deluxe Version)

michael-buble-nobody-but-me-2016-2480x2480Album: Nobody But Me (Deluxe Version)
Artist: Michael Buble
Label: Reprise Records
Released: October 21, 2016

RATING: 2.5/5 STARS

Michael Buble has been around long enough to hone his template to perfection; so while it is both comforting and disappointing to discover I could have written this review just as accurately without actually listening to his latest record, it is certainly not a surprise. Nobody But Me is yet another perfectly crafted album of knee-melting ballads, toe-tapping jazz, and pop tunes of the sweetest vanilla. Admittedly, there’s less of the latin influence I danced to incessantly when To Be Loved hit the shelves, and the brass blasts are fewer and smoother than those of its predecessor, but for the most part Nobody But Me is of the same mould.

There’s the uplifting but forgettable pop original (I Believe In You), the cheeky rock ‘n’ roll number (Nobody But Me), the guest cameo (Meghan Trainor, on Someday), the deliciously scathing revenge song (I Wanna Be Around), the no-brainer classic covers (My Baby Just Cares For Me, My Kind Of Girl), the classic cover that didn’t really work (God Only Knows…how much better this version could have been, were it not so slow and stilted) and thankfully, the gorgeous reimagining of a vintage sound (On An Evening In Roma). In between these certainties lie a few slower and/or ordinary numbers (The Very Thought Of You, Today Is Yesterday’s Tomorrow) that fill the gaps and carry us to the bonus tracks, if you’ve chosen the deluxe version for your purchase (not a terrible idea, as Take You Away is a fun little cha cha).

Consistency is usually reassuring, but this time around it’s made me restless to hear a little more daring from Buble. He must certainly be applauded for maintaining a fresh sound – and for offering new material alongside the classics – but Nobody But Me continues the trend of over-production in his more recent work. Gone is the rawness we heard in 2007’s I’m Your Man, and where is the innovation that created that extraordinary jazz cover of The Beatles’ Can’t Buy Me Love?

While the radio stations will likely delight in the cutesy ukulele that accompanies Buble and Trainor in the safe ray of sunshine that is Someday, I’ll listen to On An Evening In Roma and dream of bygone days when Buble’s albums oozed with nuance and romance.